Couple after their museum wedding ceremony by Paris wedding photographer on film
couple on a boat on black and white film by Paris wedding photographer
couple laughing on a flower field during their elopement, captured on film by Paris film wedding photographer

Documentary Film Wedding Photographer in Paris, France

Julia is a Paris wedding photographer working exclusively on 35mm and medium format film. Most of her couples are already familiar with film as a medium and want that analog, nostalgic, authentic quality in their wedding images, but other couples first choose Julia for her spontaneous, effortless, candid photographic style regardless of the medium used.

Julia's focus is what makes each wedding and each person unique, and she uses that as guidance for all the images captured on the wedding day. In other words, each wedding she photographs produces a very specific final collection of images. Julia believes empathy and a genuine interest in human connection are absolutely essential to creating a good photograph. Each of her wedding galleries is an honest testament to how it felt to be there on the day, amongst that specific group of people, collectively shaping the day.

If you're planning your wedding in Provence and are curious to see what a wedding photographed fully on film can look like, you can check the galleries below.

If you want to get in touch, you can fill out this contact form. You can also follow Julia's work on instagram.

  • Julia Jardim is a film wedding photographer in Paris, France, specialising in authentic, unique wedding celebrations of all shapes and sizes. Julia photographs weddings and elopements in Paris in a spontaneous, stress-free, authentic way, using a documentary, photojournalistic approach with a creative flair to create images that are honest, unique, interesting to look at, and true to the story they're telling. If you love film photography and would like your Provence wedding to be documented on film, do get in touch.

Recent Weddings Photographed on film


FAQ

Can we book you if we still don't have a venue for our wedding in Provence?

While I understand that securing your favourite photographer can feel (and is!) super important, especially if you have a specific style in mind and are planning your wedding in a busy month, securing a date with your venue is the first step of the process unless you are planning an elopement. Even if you plan to use a private space, things can change very quickly during the planning process and all my bookings are based on specific dates. With that being said, June, July and September are always very busy months and I often get 6-7 enquiries for the same dates, which is unfortunate. If you'd like to get in touch to check which dates I still have available before closing the day with the venue, please feel free to do so.

Why do you shoot only film, and not a mix of film and digital?

The short answer to this question is that a digital camera would not do anything that a film camera can't do in a better way. I know a lot of photographers choose to shoot film only in certain lighting situations, but I have extensive experience working exclusively with film not only in weddings but also on commercial assignments, and my honest opinion is that it can be used in any situation if you have the necessary knowledge. Film is versatile, consistent, and beautiful under almost any condition. Given all that, a digital camera would just be an unnecessary distraction.

Do you work with second shooters?

I work by myself unless the wedding is organised in a way that requires me to be in two places at the same time, but I recommend a second shooter for weddings with a large number of guests. I view a second shooter as another photographer with their own unique creative language and set of eyes, so I take a lot of care in choosing someone to work with one on your wedding.

Can we hire you for our multi-day wedding?

Absolutely! As long as my schedule is free for the period and it won't interfere with any weddings scheduled just before or right after yours. I love multi-day weddings and I absolutely love a pool party because they show such a different side of your wedding guests :)

What cameras do you use as a film wedding photographer in Paris?

I work with many different cameras at the same time - mainly because they offer different qualities to the final negative, but also because I like my workflow to be as fail-proof as possible and having different cameras capture the same moments can guarantee that. On a regular wedding day, you can expect to see me carrying at least a medium format Mamiya, a Contax G1 and a Konica Hexar at the same time.

Can we meet in-person before our wedding?

Yes, of course! This is not always possible as most of my couples are planning a wedding away from the country they currently live in and because I spend most of the wedding season on the road, but if we happen to be in Paris (or any other part of the world) at the same time at any point during the planning process, I'll do everything I can to have a coffee with you! Even if in-person meetings are not possible, we do several video calls throughout the planning process so we can hopefully feel like old friends when the day comes, and you're welcome to message me on WhatsApp at any point after booking. In other words, we'll be in touch a lot :)

We are looking for a film wedding photographer in Paris and love your work. How can we book you?

If you like my work and my approach to photography and think it matches what you dream your wedding photos to be, please get in touch through my contact form.

Where are you based?

I am based in Europe and photograph weddings primarily in France, Portugal, The Netherlands, Spain and Italy, as well as a few weddings a year in the UK and Brazil. Even though I spend most of the wedding season (from April to October) on the road, I have recently made the conscious choice to focus mostly on locations I can get to by train for sustainability reasons. A single wedding season would easily see me boarding 40+ flights otherwise.

How many images will we receive?

The total number of images will vary based on factors like number of guests and duration of the ceremony, but I deliver an average of 500 images for a full day wedding. I also focus on quality instead of quantity, so I make sure each image I deliver is unique and can stand on its own.

Do we receive black and white photos as well?

Yes, of course! By default, I shoot 30-35% of the wedding using BW film, but this is thoroughly discussed with couples during our pre-wedding talks so that the final proportion meets your expectations and personal preferences - I can either increase the BW photos or remove them altogether if it suits the couple.

Should we worry about rain for our wedding in Paris?

Because rain is always a possibility, I recommend organise a Plan B with your venue - one that you're genuinely happy with and can resort to without feeling like your wedding day failed. With that being said, I have very rarely photographed a wedding where it rained the whole day - the chances of that are really, really small, so you're more likely to encounter an hour or two of rain, nothing likely to require a whole change of plans. I honestly believe that rain is not a big issue on a wedding day as long as your spirits are not affected.

How will we receive our images? What does the film process look like?

Once the wedding is done, I'll take all film rolls to my trusted lab (which is opening a shop in Paris very soon!) for developing and scanning. The final photos will be delivered to you as high-res jpg scans of the original negatives uploaded to an online gallery for viewing, downloading and sharing. I also offer darkroom prints and contact sheet of your images as an optional add-on - as artisanal as it can possibly get.

What is your photographic style?

My photographic approach can be called documentary or photojournalistic, but I use the term loosely. What that means is that I try to work with as much creative freedom as I can, but the ground on which I stand is life itself. I don't believe there's such a thing as the "real" photographic representation of a moment - once a moment comes and goes, it opens itself to infinite possible interpretations or narratives, and many of these can be called true. So I think it matters to know that I'll bring my very own pair of eyes to any wedding day, along with a lot of empathy, energy, and a deep and ever-growing understanding of my craft, as well as a genuine willingness to dive into the story that is to unfold in front. With that said, I don't pose my couples and I don't try to manufacture moments or emotions that are not already there.

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