Why
Film
Analog photography is able to represent the world in a way that feels very close to how I experience it emotionally - it resembles my memory, with its vibrant colors and blurry backgrounds, and it seems to always get the essence of the moment just right. I notice more and more people are turning to film now, realising that the fabricated perfection of digital images is not enough to translate how we feel about the things that matter to us - no matter how intensely alive a moment is, I find that with digital images something crucial is always lost in translation.
Film, on the other hand, seems to be capable to dive deep into any scene, shedding light on certain essential details and making any moment, no matter how far removed, feel at once familiar and wondrous. Film is memory, and memory, with all her fantastic and mostly unrealistic ways, is my first muse.
Shooting film is an artistic choice, so my main reasons to photograph weddings on film are not necessarily related to any technical advantages (although these also play a role).
The medium is part of the creative process.
I retired my digital cameras around 3 years ago. I knew I wanted to work in weddings again, but I didn't feel like it would make sense to do it as I had done it in the past - my creative language had changed and I wanted to bring that into the wedding world even if it felt like a bold move. Going fully analog was my commitment to being true to that creative language - I know digital is the safest alternative and, when working hibrid, it's very easy to end up using it as a first choice, bringing film along just to add some spice here and there or, alternatively, just to repeat the shot once you know it's a good one. What that means is that digital still leads the show and dictates the approach, and I want the exact opposite: I want my work to be challenged by limited resources - I want to be obliged to put extra thought into each frame I take, and I want to be forced to stop, several times during the day, to consciously consider what I've done so far and how I could better approach the work in front of me. I don't want even one of my images to be taken mindlessly. In short, I didn't want film to be my second choice, I wanted it to revolutionise my whole photographic approach - hopefully revolutionising my take on life as well on the way.
I also didn't want to feel so safe that I didn't feel the need to master my craft - no security blanket, nothing whatsoever between me and my camera, and nothing whatsoever between my camera and my subjects - no distractions, no self-consciousness, no requests to see how they look before the next shot is taken - no thought of social media, no peer pressure, no online expectations.