FAQs
Why do you shoot only film, and not a mix of film and digital?
I could talk for days about my choice to work exclusively on film, but the short answer to that question is that a digital camera is not necessary to my work and it would only me a distraction. There's nothing a film camera can't do on a wedding day, so I prefer to put all my focus on the cameras that will actually produce the best work I can give my clients. I know a lot of photographers choose to shoot film only in certain lighting situations and there's a belief that film is only good for broad daylight, but I have extensive experience working exclusively with film not only in weddings but also for commercial assignments, and my honest opinion is that film can be used in any situation if you have the necessary knowledge and equipment. Film is versatile, consistent, and can be used to turn almost any scene into a beautiful image. On top of that, film is at the core of my photographic approach, my commitment to create work that prioritises quality over quantity, and my promise to deliver a highly curated and unique body of work to my clients. So, while it's true that shooting only on film requires more thought, more attention, more expertise and more work behind the scenes (as well as a lot more costs), it is also true that, for me, it's only way to maintain an honest commitment to my artistic voice and keep pushing myself to produce work I am proud of.
How will we receive our images?
Do we get digital files?
Yes, of course! I'm counter-current but I am reasonable :) While I think it is extremely important to have your photos in physical, touchable format, I also understand how important it is to have them online and as digital files. Your negatives will be scanned and turned into high-res jpg files, and these will be delivered to you through an online gallery that you can also share with friends and family. Your files will be ready to download and your gallery stays online for a year.
I work by myself unless the wedding is organised in a way that requires me to be in two places at the same time, but I recommend a second shooter for weddings with a large number of guests. I view a second shooter as another photographer with their own unique creative language and set of eyes, so I take a lot of care in choosing someone to work with one on your wedding.
Do you work with second shooters?
What is your photographic style?
My photographic approach can be called documentary or photojournalistic, but I use the term loosely. What that means is that I try to work with as much creative freedom as I can, but the ground on which I stand is life itself. I don't believe there's such a thing as the "real" photographic representation of a moment - once a moment comes and goes, it opens itself to infinite possible interpretations or narratives, and many of these can be called true. So I think it matters to know that I'll bring my very own pair of eyes to any wedding day, along with a lot of empathy, energy, and a deep and ever-growing understanding of my craft, as well as a genuine willingness to dive into the story that is to unfold in front. With that said, I don't pose my couples and I don't try to manufacture moments or emotions that are not already there.
Can we hire you for multi-day weddings?
Absolutely! As long as my schedule is free for the period and it won't interfere with any weddings scheduled just before or right after yours.
Do we receive black and white photos as well?
Yes, of course! By default, I shoot 30-35% of the wedding using BW film, but this is thoroughly discussed with couples during our pre-wedding talks so that the final proportion meets your expectations and personal preferences - I can either increase the BW photos or remove them altogether if it suits the couple.
What does the film process look like?
Once the wedding is done, I'll take all film rolls to my trusted lab in Lisbon for developing and scanning. In 2026 I will also be offering darkroom prints and contact sheets of your images as an add-on - as artisanal as it can possibly get.